Friday, July 27, 2007

Cordero y lengua

Mmm... Muy buen cordero es un placer verdadero. Lo he comido esta tarde en un restaurante venezolano que he descubierto hace unas semanas con un grupo de amigos. Esta vez fui con los padres (alías: papá = chileno que sueña con ser argentino; yo: telenovela mexicana-colombiana en vivo; mamá= francesa, ¿a lo mejor?) Pero todos con alma rusa, sea como sea.

Oír a la gente charlar en español me recuerda la vida fantástica de Madrid, eso de tomar cervecitas y comer carne bien hecha a todas horas en cualquier patio afuera, disfrutando del buen tiempo y de la buena compañía. Este sitio seguro que se cierra las 9 en punto, pero de todas formas me ha gustado el sitio, con un poco de estilo latino aquí en el South End. Aunque no es nada -- pero nada -- comparable con la capital española, Boston tampoco está fatal como a veces digo. Supongo que tiene su encanto también. Sino después de vivir tanto tiempo en Europa... uno se acostumbra a la belleza que allá te suele seguir por donde fueras, y lo que se considera normal en Estados Unidos es otra forma de vivir.

Wednesday, July 25, 2007

Summer Nights


Yep, it did come out at Vera's party last weekend. (Picture by Liz.)

As for the accordion, can't say I've progressed much in my ten months of absence without having touched the instrument. However, I'll soon be making up lost time... trying to learn the Paraguayan melody (and one of the numerous 'hymns of the Reznikovs') Alma Guaraní. That is, I hope to play this guaraní glory with the right chord progression, pop's authentic guitar accompaniment, and fluidity -- a.k.a. no messing up -- by the end of the summer. Hey, that thing is harder than it sounds!

Monday, July 23, 2007

T Time

The following incident occured today, word for word, on my green line ride to North Station this afternoon to go home:

[Out of nowhere]

Conductor 1 (through intercom, evilly and loudly): MA'AM!! CLEAR THE DOORS -- NOW!!

2 minutes pass.

Conductor 2 (through intercom): Ladies and gentlemen, we apologize for that. You'll have to excuse him, he has an ingrown toenail and is suffering. He's just bitter about it.
Conductor 1 (through intercom): Yeah, whatevah.

2 minutes pass.

Conductor 1 (through intercom): That was a @$^#ing lie. He only said because his wife beats him up every day and he's bitter.
Conductor 2 (through intercom): Does not.
Conductor 1 (through intercom): Does too.

Then I got off the train at my stop so I don't know how it ends.

Thursday, July 19, 2007

Лермонтов

Я жить хочу! хочу печали
Любви и счастию назло;
Они мой ум избаловали
И слишком сгладили чело.
Пора, пора насмешкам света
Прогнать спокойствия туман;
Что без страданий жизнь поэта?
И что без бури океан?
Он хочет жить ценою муки,
Ценой томительных забот.
Он покупает неба звуки,
Он даром славы не берет.

Интересно, почему же в наше время нет великих поэтов? Может, мы живем в слишком циничном мире, чтоб тратить время на страдание в стиле Байрона? Наоборот: не смотря на монотонность современной жизни, я вижу и в этом дальнюю и непонятную красоту, как ни странно, у каждого человека есть история, хоть сейчас и не «модна» искренность.

А я всегда любила русские лирические стихи, хоть и относительно их мало знаю. Для меня Лермонтов и Пушкин пока еще не стареют.

Monday, July 16, 2007

Amen

"Life imitates art far more than art imitates life."
-Oscar Wilde

He certainly had a point: I was thinking deeply about this on the commute to work this morning... an oft-recurring topic, if you will, during any commute. Once I got to Boston I concluded once more that I agree 100% with Mr. Wilde.

In other news, my first day of work actually went rather well. The people are very nice and seem like smart, dedicated folks interested in the rest of the world. Everyone was very welcoming towards me and the other interns seem friendly and approachable. The work itself is a lot and kind of stressed me out momentarily, but I realize it's just the first day and I'm full-time -- so there is lots of time to get it done.

There is a lot of medical stuff that I will have to deal with that I'm not exactly lovey-dovey with (time to get out that dusty Russian/English/Spanish medical dictionary from the Brezhnev era), but a number of the staff seemed super excited that I came on board with this apparently odd combo of languages. I'll be stradling those two projects. I hope it's a chance to practice my Spanish especially with the Peruvians, so as not to lose my reaction time as stands. (The native tongue's cool, too, of course, but at this point I am more concerned about the español that I gained in Madrid.)

My duties will involve everything from database stuff to research in the three languages to setting up meetings with the Russia team to helping out the doctors with some of their "literature reviews" to cataloguing huge boxes of Peruvian scarves, mittens, and various knit winter gear. Don't ask.

But more about work later in the week. Now---a dormir.

Boston Boats



Charles River Sunday

Sunday, July 15, 2007

Babble

I rented the film Babel on Friday with my mother. It's a curious, jagged movie, and I could see how it wouldn't make sense to some -- maybe most -- people. Its overall theme, however, struck a chord that I have been thinking about most of the weekend.

The film portrays four different countries and scenarios. It follows the effects of one event that takes place in Morocco and inadvertently alters the lives of people halfway around the globe. Among its main characters are a typical American couple (typical, of course, with Brad Pitt being the husband) in the midst of marital discord; two Moroccan boys that accidentally shoot the American wife; the kids of the American couple and their Mexican nanny that takes them to la patria on a roadtrip gone awry; and a Japanese doctor, whose deaf-mute daughter is under some sort of psychosexual trauma. The events are told out of order and all the connections only begin to make sense at the end.

In addition to showing "how we are all connected as humans in some way", though, I think that Babel is really a movie about not listening, and hence, not understanding. Even when speaking the same language, characters hear the others but don't really listen to one another. Even when we, the audience, understand by looking into a closeup of someone's eyes, for instance, in life -- in the movie life and in real life -- we may not really be listening, but rather wanting, begging, hoping, demanding that someone listen to us first. The eyes may be a window to the soul but batting eyelashes 500 times will land one in the optometrist's office nowadays and nothing more.

Everyone wants to be understood first, but taking time to understand others can be slow and painful. Does anyone have the time to do that?

It is somewhat like those conversations that people have often: when one has stopped speaking, he hears the other person while waiting for his next chance to speak. Almost everyone I know has been guilty of it at some point or another, myself most certainly included. There could be many causes. Laziness. Self-indungence. Disinterest. Hurry.

Sometimes, maybe, the inability to listen arises from the pervasive self-interest as a result of pure loneliness. I think lonely people are such each for their own reasons -- just as Tolstoy said, that everybody is unhappy in his own way -- but does loneliness cause selfishness? Is loneliness the ability to listen only to oneself? Are selfish people necessarily lonely deep down?